As the Camera Operator, I used visual language to build psychological pressure. To heighten disorientation, I utilized tight POV shots to lock the viewer into Evelyne's sensory experience and establish a sense of immediate claustrophobia. I further emphasized the power dynamics of the scene by framing the "Doctor" with clinical detachment, often using low angles and shooting through the laboratory glass to highlight his control over the experiment chamber. In my role as the Editor, I focused on the rhythmic "compression" of the narrative while collaborating closely with the sound department. I worked alongside Kais Neffati, who handled the sound design, to ensure the auditory cues—such as the machine’s BEEPS—were perfectly synchronized with the editorial pace to heighten the protagonist's rising heart rate. I crafted a percussive montage sequence during the equipment setup to establish a mechanical, inescapable rhythm that complemented the soundscape, eventually utilizing a "Boom Up" shot for the final reveal of the corpse to maximize the shock of the results.