Our primary challenge was to bridge the gap between abstract design principles and tangible digital interactions. Guided by the work of Alexey Brodovitch and Ellen Lupton, we utilized a "disruption of information" strategy. By overlaying elements with vertical type and manipulating lines for spatial structure, we created a visual language that mirrors the complexity of the films themselves. - Typography: Due to the grid-like nature of monospace fonts, we established a linear structure using DM Mono, paired with the tight, balanced composition of Founders Grotesk. - Color Palette: A foundation of cream, ivory, and muted green balances the high-contrast black and red focal points, ensuring key information remains legible amidst the disruption. - Image Treatment: Cropped imagery serves as a focal center, drawing the eye to the specific "craft" of each featured film.